Elly Griffiths - book author
Elly Griffiths' Ruth Galloway novels take for their inspiration Elly's husband, who gave up a city job to train as an archaeologist, and her aunt who lives on the Norfolk coast and who filled her niece's head with the myths and legends of that area. Elly has two children and lives near Brighton. Though not her first novel, The Crossing Places is her first crime novel.
Elly Griffiths is the author of books: The Crossing Places (Ruth Galloway, #1), The Janus Stone (Ruth Galloway, #2), The House at Sea's End (Ruth Galloway, #3), A Room Full of Bones (Ruth Galloway, #4), A Dying Fall (Ruth Galloway, #5), The Stranger Diaries (Harbinder Kaur #1), The Outcast Dead (Ruth Galloway, #6), The Ghost Fields (Ruth Galloway, #7), The Stone Circle (Ruth Galloway, #11), The Dark Angel (Ruth Galloway, #10)
Ruth and Detective Harry Nelson would like to find out—and fast. When they realize the house was once a children’s home, they track down the Catholic priest who served as its operator. Father Hennessey reports that two children did go missing from the home forty years before—a boy and a girl. They were never found. When carbon dating proves that the child’s bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death.
The Janus Stone is a riveting follow-up to Griffiths’s acclaimed The Crossing Places.
Set in Norfolk, England, A Room Full of Bones embroils, once again, our brainy heroine in a crime tinged by occult forces. On Halloween night, the Smith Museum in King's Lynn is preparing for an unusual event -- the opening of a coffin containing the bones of a medieval bishop. But when forensic archaelogist Ruth Galloway arrives to supervise, she finds the curator, Neil Topham, dead beside the coffin. Topham's death seems to be related to other uncanny incidents, including the arcane and suspect methods of a group called the Elginists, which aims to repatriate the museum's extensive collection of Aborigine skulls; the untimely demise of the museum's owner, Lord Smith; and the sudden illness of DCI Harry Nelson, who Ruth's friend Cathbad believes is lost in The Dreaming -- a hallucinogenic state central to some Indigenous Australian beliefs. Tensions build as Nelson's life hangs in the balance. Something must be done to set matters right and lift Nelson out of the clutches of death, but will Ruth be able to muster herself out of a state of guilt and foreboding in order to do what she does best?
There are forces at work in the town that that threaten all that Ruth holds dear. But, in the final showdown on Blackpool Pleasure Beach, it is Cathbad who faces the greatest danger of all.
To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me."
Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?
Forensic archaeologist Ruth Galloway uncovers the bones of a Victorian murderess while a baby snatcher threatens modern-day Norfolk in this exciting new entry in a beloved series.
Every year a ceremony is held in Norwich for the bodies in the paupers' graves: the Service for the Outcast Dead. Ruth has a particular interest in this year's proceedings. Her recent dig at Norwich Castle turned up the body of the notorious Mother Hook, who was hanged in 1867 for the murder of five children. Now Ruth is the reluctant star of the TV series Women Who Kill, working alongside the program's alluring history expert, Professor Frank Barker.
DCI Harry Nelson is immersed in the case of three children found dead in their home. He is sure that the mother is responsible. Then another child is abducted and a kidnapper dubbed the Childminder claims responsibility. Are there two murderers afoot, or is the Childminder behind all the deaths? The team must race to find out-and the stakes couldn't be any higher when another child goes missing.
Norfolk is suffering from record summer heat when a construction crew unearths a macabre discovery—a downed World War II plane with the pilot still inside. Forensic archaeologist Ruth Galloway quickly realizes that the skeleton couldn’t possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat who had been reported dead at sea. When the remaining members of the Blackstock family learn about the discovery, they seem strangely frightened by the news.
Events are further complicated by a TV company that wants to make a film about Norfolk’s deserted air force bases, the so-called Ghost Fields, which have been partially converted into a pig farm run by one of the younger Blackstocks. As production begins, Ruth notices a mysterious man lurking on the outskirts of Fred Blackstock’s memorial service. Then human bones are found on the family’s pig farm. Can the team outrace a looming flood to find a killer?
Laced with dry humor and anchored by perennial fan favorite Ruth, The Ghost Fields will delight fans new and old.
Meanwhile Ruth is working on a dig in the Saltmarsh - another henge, known by the archaeologists as the stone circle - trying not to think about the baby. Then bones are found on the site, and identified as those of Margaret Lacey, a twelve-year-old girl who disappeared thirty years ago.
As the Margaret Lacey case progresses, more and more aspects of it begin to hark back to that first case of The Crossing Places, and to Scarlett Henderson, the girl Nelson couldn't save. The past is reaching out for Ruth and Nelson, and its grip is deadly.
So Ruth travels to Fontana Liri, accompanied by her daughter Kate and friend Shona. In the town she finds a medieval shrine and a dark secret involving the war years and the Resistance. To her amazement she also finds Harry Nelson, who is enduring a terrible holiday at a resort nearby. But there is no time to overcome their mutual shock - the ancient bones spark a modern murder, and Ruth must discover what secrets there are in Fontana Liri that someone would kill to protect